Julian Terrell Otis Chicago, Illinois
Julian Terrell Otis is a genre defying musician dedicated to the advancement of Black Music in America. His fusion of
styles
brings new perspective to the creative music, jazz, commercial, and contemporary classical worlds. He has performed with Angel Bat Dawid & Da Brothahood, Nicole Mitchell’s Black Earth Ensemble, George E. Lewis, Renee Baker, & Lisa E. Harris among many others.
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LIVE
by Angel Bat Dawid & Tha Brothahood
supported by 9 fans who also own “Beethoven was Black”
An absolutely amazing live set from Angel Bat Dawid and Tha Brothahood displaying an immense talent and a powerful vision. Highly recommended...
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Transition East
by Angel Bat Dawid
supported by 9 fans who also own “Beethoven was Black”
Everything Angel Bat Dawid makes is incredible. This is no exception.
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Offering - Live at Le Guess Who
by Nicole Mitchell and Moor Mother
supported by 8 fans who also own “Beethoven was Black”
Intriguing, enchanting and terrifying all at once. To me it's the perfect soundtrack I'd envision for waking up in a strange nation and not knowing the name of the place, or any contextual understanding about the culture, or even remembering how you got there in the first place. It has the capacity to be a negative or positive experience in equal measure, a testament to the two talented women behind this record.
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featured on Bandcamp Radio Apr 2, 2024
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A Call For All Demons (Sun Ra Suite)
by Myles Boisen Past-Present-Future
featured on Bandcamp Radio Mar 29, 2022
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Memoirs of a Dream
by The Sea Ensemble
Imbued with spirit, openness, and curiosity, The Sea Ensemble played improvisational music as if they were trying to capture the sound of something greater.
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EarthSeed
by Nicole Mitchell & Lisa E. Harris
supported by 8 fans who also own “Beethoven was Black”
Beautiful music for our challenging times. Unique voices like Mitchell and Harris provide what little hope is possible. I love how, in their unique way, they incorporate, along with so much else, the spirit of Sun Ra, one of my primary musical heros. And it’s interesting that I used to argue that there were places that the shakuhachi (Japanese bamboo flute) could go that the western flute couldn’t. But after hearing Nicole Mitchell’s work on this recording I’m a little less confident abo
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